Very large original illustration for a bookseller - a few pieces of paper have been torn off the support in the lower left and middle corners.
4 000 €
Prices shown include all taxes for the EU.
Type :
Colored illustration
Technique :
Mixed medias on paper
Drawing :
50 x 89.3 cm
Support :
50 x 89.3 cm
ID :
64656
Signed work:
No
A true pillar of Spirou magazine, Belgian comic artist and scriptwriter Willy Maltaite—better known as Will (1927–2000)—was trained by Jijé and became the defining artist behind iconic series such as Tif et Tondu and Isabelle. He also gave visual form to one of the greatest villains in the history of Franco-Belgian comics: Monsieur Choc.
As a member of the legendary "Gang of Four," alongside Jijé, Morris and André Franquin, Will helped redefine post-war Franco-Belgian comics through a combination of artistic excellence and creative camaraderie. Throughout his career, he collaborated with many of the medium's greatest creators, including André Franquin, Raymond Macherot, Maurice Rosy, Maurice Tillieux and Stephen Desberg. Today, he is rightly regarded as one of the great classics of Franco-Belgian comics.
In November 2025, the auction dedicated to Belgian artist Will, organized by Maison Daniel Maghen Enchères, featured an exceptional collection of 30 artworks from his iconic series, including Tif et Tondu and Isabelle. The session achieved outstanding results, far exceeding its estimates. The top result was the original cover for Tif et Tondu, Volume 18, Le Roc maudit (1972), estimated at €12,000 and sold for €47,475 (including buyer's premium). The artist's auction record remains the cover of Tif et Tondu, Volume 4, La Main blanche, which achieved €60,000 (including buyer's premium) in 2014, against a pre-sale estimate of €27,000.
To preserve your works on paper, we recommend that you never expose them to direct light, as UV rays can damage the mediums used. Paintings made with pastel or charcoal require special care to avoid rubbing. Works containing watercolor are particularly sensitive to light, unlike gouache and acrylic.
We advise you to display them away from windows, and to use frames made from pH-neutral conservation materials and “Museum” glass with anti-UV and anti-reflective treatment. If you prefer to keep your works unframed, we recommend storing them flat, in drawing cartons, with sheets of pH-neutral permanent paper in between. Keep them away from light and humidity.