Franck Bonnet occupies a unique position in contemporary historical comic art. Widely recognized for his exceptional mastery of maritime illustration—a demanding specialty in which few artists achieve such excellence—his graphic novels combine meticulous historical research with an extraordinary attention to ships, naval maneuvers and life at sea, all while never losing sight of compelling storytelling.
To preserve your works on paper, we recommend that you never expose them to direct light, as UV rays can damage the mediums used. Paintings made with pastel or charcoal require special care to avoid rubbing.
We advise you to display them away from windows, and to use frames made from pH-neutral conservation materials and “Museum” glass with anti-UV and anti-reflective treatment. If you prefer to keep your works unframed, we recommend storing them flat, in drawing cartons, with sheets of pH-neutral permanent paper in between. Keep them away from light and humidity.
Born in Troyes, Franck Bonnet won the Best Amateur Artist Award at the Grenoble Comics Festival in 1991 before establishing himself professionally in 1994. His collaboration with Didier Van Cauwelaert, initiated through Dargaud, led to the series Vanity Benz, followed in 1997 by Attila... mon amour with writer Jean-Yves Mitton for Glénat. In 2004, he created Vell'a, his first work as both writer and artist. His landmark achievement came in 2009 with Les Pirates de Barataria (written by Marc Bourgne), a twelve-volume realistic naval saga unanimously acclaimed as one of the greatest maritime epics of the comic art medium. He continued exploring this genre with USS Constitution, whose third volume was awarded the Prix de la BD – Mémoires de la Mer in 2022, before embarking on his latest series, Ann Bonny: The She-Wolf of the Caribbean. Complete biography