Michel Blanc-Dumont

A powerful, perfectionist, realistic linework, where attention to detail serves an almost painterly vision of the Western. 

To ensure that your pages are kept in good condition, we recommend that you never expose them to direct light, as UV rays can damage the media used to produce them. Although Indian ink is a perennial material, the paper support may change when exposed to UV light. Note that watercolor plates require special attention, as this medium is particularly sensitive to light. Pieces containing pastel or charcoal require special care to avoid rubbing.
We advise you to display them away from windows, and to use frames made of pH-neutral conservation materials and “Museum” glass with anti-UV and anti-reflective treatment. If you prefer to keep your works unframed, we recommend storing them flat, in drawing cartons, with sheets of pH-neutral permanent paper in between. Keep them away from light and humidity

Even before beginning his career as a comic artist, Michel Blanc-Dumont worked for three years alongside his father, who was then the finest furniture restorer in Paris. Combined with his studies in applied arts, this sensitivity to imagery instilled in him the precision of a craftsman and a passion for detail that would never leave him. At the same time, a passion was growing within him that would become his signature: the history of the American West and the culture of the Plains Indians, coupled with a love of horses and horsemanship that would make him a rider as passionate as he was perfectionist. In short, the Western genre would become a way of life for him... Complete biography